What CfFC aims to do
As a group of academics, practitioners and administrators, we respond to the increasing demand for research into, and exhibitions of, fashion. The Centre provides a unique catalyst and platform for research, exhibitions, symposiums, workshops and publications, and collections-based enquiries.
We actively forge close partnerships with global, national and regional museums, galleries, archives, private collections, conservators, creative and commercial industries and publishers to support the theory and practice of the discipline in its broadest sense.
Our members have developed partnerships and worked with amongst others: the V&A Museum, Brighton Museum, the Serpentine Galleries, Cristóbal Balenciaga Museum (Getaria), Barbican Art Gallery, The National Trust, Winterpalais (Belvedere Museums, Vienna) and Mode Museum (MoMu, Antwerp).
We have worked with established fashion houses such as Chloé, Jean-Paul Gaultier, Shirin Guild, Stephen Jones, Alexander McQueen, Rick Owens, Raf Simons, Louis Vuitton and Yohji Yamamoto; practitioners and makers like Judy Blame, Simon Costin, Alasdair McLellan, Jun Takahashi, Julie Verhoeven, Bart Hess, Dai Rees, Inez van Lamsweerde and Vinoodh Matadin; and designers including Martine Rose, Gosha Rubchinskiy, Christopher Shannon, Benjamin John Hall, Shaun Leane and Gareth Pugh.
We work with organisations like Frieze Art Fair, Architectural Association, Dress and Textiles Specialists (DATS), the British Council, English Heritage, HM Prison Holloway (London), Yale University Press, SHOWstudio, Università IUAV di Venezia (Venice), and consult and write for both the Fashion Theory and Studies in Costume and Performance journals.
As a group of researchers we aim to challenge practices and develop curatorial theory by demonstrating and enabling rigorous, innovative and experimental work within the discipline.
To do this, CfFC supports fashion studies research and curation through internationally-recognised responses to concerns facing museums, curators and exhibition-makers, and collectors of dress.
Through rigorous research around fashion curation, exhibition-making and museology, we are posing ideas and solutions to displaying dress that are inclusive, sustainable and imaginative.
We approach objects from different perspectives. We question, and we offer solutions to the issues surrounding display. We animate what can appear inanimate or intangible. Through this research, we generate different interpretations of fashion and exhibiting. This multiplicity of approach facilitates inclusivity and diversity.
Rigorous interrogation is part of CfFC’s experimental approach to fashion curation. Our work supports the understanding of historical and contemporary fashion dynamics, and curatorial trajectories.
Supporting our students in their future career progression and practice, as questioning, experimental curators and exhibition-makers, is vital to the work we do.